Right After, 1969.
The Bushmans Kloof rock art site in the Cederberg region of South Africa.
Recently awarded the status of a South African National Heritage Site, Bushmans Kloof contains over 130 rock art sites, some of which date to 10,000 years before present.
Stained with oxide pigments, these rocks depict the spiritual and cultural legacy of the San (also known as Bushmen), who have lived in these mountains for some 120,000 years. A particular point of interest about this rock art for some is the depictions of about 30 Cape mountain zebra, which are today endangered, with only about 1,200 remaining worldwide. Antelopes such as the eland, black wildebeest, and springbok are also depicted.
Recommended reading & food for thought: ‘Access to Rock Art Sites: A Right or a Qualification?’ By Ndukuyakhe Ndlovu in The South African Archaeological Bulletin, Vol. 64, No. 189 (June 2009), pp. 61-68
Photos taken by mlaaker. The contrast and tone of the original images have been readjusted.
Jim Lambie, ‘Voidoid’, Transmission, Glasgow, 1999
Gustave Caillebotte - The Floor Scrapers (1875-6)
Original on top, later version below
"Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’
The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.
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This is Sol LeWitt’s only 3D Wall Drawing. The story goes that he was invited to exhibit in Japan, but when he arrived, he was given 4 pegboard walls that he couldn’t alter. Typically he paints over a wall, so he had to come up with a new idea idea on the spot. That new idea was rolling 40,000 pieces of tissue paper and inserting them into the pegboard’s holes.
(Wall Drawing 38, 1970)